Tuesday, February 28, 2012
Monday, February 27, 2012
Digital Imaging-FA 385Project 2 Images
Friday, February 24, 2012
Thursday, February 23, 2012
Monday, February 20, 2012
Friday, February 17, 2012
Advanced Photo Working on Tethering with Leaf Capture and Sweet Dreams; Contemporary Art and Complicity
Monkey, Color Card, and the book, Sweet Dreams; Contemporary Art and Complicity, by Joanne Drucker
"I believe in the power of imaginative works as fundamental to the process of change, but only if we don't shackle art to the task of serving as the social conscience of the culture, or serving any other formulaic agenda-clipping the spirit and straightjacketing artistic potential." -Joanne Drucker, from the Introduction
"I believe in the power of imaginative works as fundamental to the process of change, but only if we don't shackle art to the task of serving as the social conscience of the culture, or serving any other formulaic agenda-clipping the spirit and straightjacketing artistic potential." -Joanne Drucker, from the Introduction
Thursday, February 16, 2012
Susan Noyes Platt Lecture Tonight, 6PM, FA Building
Art and Politics Now: Cultural Activism in a Time of Crisis
Summary
Art and Politics Now: Cultural Activism in a Time of Crisis is a critical analysis of contemporary politically engaged art. Susan Noyes Platt is an art historian and art critic who has written extensively as an advocate for the importance of art that engages social concerns. Starting with a brief historical overview of the topic, Art and Politics Now considers both theory and practice among current artists who are pursuing social and political engagement. Topics include opposition to war, terrorism, racism, borders, and the violation of the earth. It ranges from the art of street protest to the work of gallery artists and finally the international art scene. It examines both individual artists and exhibitions as political endeavors and expands the concept of art that engages political and social issues.
Art and Politics Now rejects the narrow and dismissive critical compartments that have previously been assigned to artists who engage issues, and offers a broad ranging critical framework. Its purpose is to demonstrate the complexity of cultural activism and to advocate for its pursuit. The book reveals the power that artists have to make a difference when they choose to thoughtfully address issues either individually or collectively.
Art and Politics Now makes politically engaged art practices visible and interprets them in an accessible discussion. At the same time, the book provides theoretical contexts by placing the artists in a field of current analytical positions.
Art and Politics Now includes two parts each with five chapters. It is readable by a general audience, useful for classroom courses in various disciplines including contemporary art, art history, political science and sociology.
Wednesday, February 15, 2012
Monday, February 13, 2012
Friday, February 10, 2012
WSU Photo Club
The WSU photo club is happening! You do not have to be a fine arts major to join. Get involved. Meet great people, take exciting trips, and celebrate photography.
For information, you can contact Andrew: atdeteringphotography@gmail.com
Visit on Facebook:
http://www.facebook.com/pages/WSU-Photography-Club/165486313497403
For information, you can contact Andrew: atdeteringphotography@gmail.com
Visit on Facebook:
http://www.facebook.com/pages/WSU-Photography-Club/165486313497403
Wednesday, February 8, 2012
Tuesday, February 7, 2012
Paul Brian-Radioactive Thinking: Nuclear Imagery and American Culture
Paul Brians will be coming back to campus on to present a lecture for the Common Reading lecture series on the evening of February 28: “Radioactive Thinking: Nuclear Imagery and American Culture.”
In addition that day at noon he will do a presentation “Images of the Counterculture: WSU in the 60s” for the Foley Institute’s “Coffee and Politics” series in CUE 518.
In addition that day at noon he will do a presentation “Images of the Counterculture: WSU in the 60s” for the Foley Institute’s “Coffee and Politics” series in CUE 518.
Photo: Patrick Nagatani
Monday, February 6, 2012
Discussion on Representation: The True Meaning of Pictures
The True Meaning of Pictures addresses the issue of representation in documentary photography by examining the work of American photographer Shelby Lee Adams. This documentary seeks to spend time with the subjects of Adams work, in order to get to know them better and address the controversy and response Adams' photographs generate, which involves the politics of representation. Both strands of the film will combine to explore the larger-- and also self-reflexive-- issue of whether it is possible to "document" a community. The emotional intention is to compel viewers to move beyond voyeurism into empathy, so that by the end of the film they will feel authentically connected to people with whom they assume they have nothing in common..
Discussion on Representation-Die Antwood
"Umshini Wam" Die Antwoord Harmony Korine
UMSHINIWAM.COM
Directed by Harmony Korine, 2011. Starring Ninja and Yo Landi, Die Antwoord. Gangsta Gangsta.
Directed by Harmony Korine, 2011. Starring Ninja and Yo Landi, Die Antwoord. Gangsta Gangsta.
Die Antwoord performs music which incorporates many Zef elements and references. According to the band, Zef is a South African slang term that describes a unique South African style which is modern and trashy and also includes out-of-date, discarded cultural and style elements. (Wikipedia)
Thursday, February 2, 2012
Call for Student Entries-Free-Mac on Campus
"http://www.mac-on-campus.com/LearningCenter/ArticlesandBookExcerpts/166554.aspx"
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